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Film photography in AdelaideReal film, for real families.

35mm for the in-between moments. 120 medium format for the portraits you'll frame. Every session is a mix of digital and film, so you get the safety of one and the soul of the other.

LADYBIRD 400 · 35MM4 ▸
A toddler standing in the shallows, photographed on black and white film
4Adelaide SA
  1. Digital

    The safety net and the storyteller

    Fast, quiet and good in low light. Most of your gallery is digital, edited by hand to sit beside the film.

  2. 35mm

    The family album

    Thirty six frames on a roll, shot in between everything else. Grainy, warm, a little imperfect. The pictures that look like your parents’ photos.

  3. 120

    The portrait

    Medium format. Ten to fifteen big square or 6x7 frames on a roll, so every one is considered. Soft, deep and very still.

  4. Super 8

    The home movie

    Real motion picture film, about three minutes a cartridge. No sound, no second takes, just movement, light and your people.

Straight from the lab

Grain, glow and a little bit of luck.

  1. LADYBIRD 40021 ▸
    A toddler at the edge of the sea, black and white film
    21SA
  2. LADYBIRD 40021A ▸
    Port Willunga jetty posts at dusk
    21A
  3. LADYBIRD 40022 ▸
    A mother lifting her son in a field
    22
  4. LADYBIRD 40022A ▸
    A girl running through the shallows
    22ASA
  5. LADYBIRD 40023 ▸
    Children playing in a sunny backyard
    23
  6. LADYBIRD 40023A ▸
    A baby crawling on the sand at sunset
    23A
  7. LADYBIRD 40024 ▸
    Film cameras and rolls of film on a wooden floor
    24SA
  8. LADYBIRD 40024A ▸
    A family walking below the cliffs
    24A

Why I still shoot film

Digital cameras are extraordinary. I use one at every session. But film does something digital can't quite copy: the way highlights melt, the way skin glows, the grain that makes a photograph feel like an object rather than a file.

It also changes how I work. A roll of 120 has as few as ten frames. I can't spray and pray. I wait, I watch, and I press the shutter when the moment is right. Families feel that. The pace slows down. Children stop performing.

More than anything, film photographs look like the ones in your family's old albums. When your children are grown, their photos will sit comfortably next to yours and your parents'. That continuity is the whole point.

Want more film?

  • Extra roll of 35mm or 120 film: $120
  • Ten archival 8x10 prints in a linen box: $390

See every session and price

Questions people ask

Is every session shot on film?

Every session includes at least one roll of film alongside digital. Digital carries the story and makes sure nothing is missed. Film gives you the frames that feel like heirlooms.

How many film photographs will we get?

A roll of 35mm has 36 frames and a roll of 120 has 10 to 15, depending on the camera. You receive every frame that is sharp and not a near duplicate, scanned in high resolution. With children moving fast, some frames always miss. That is part of film.

Which film stocks do you use?

Mostly warm colour negative film for skin and golden light, and a classic black and white stock for newborns and quiet moments. I choose on the day, based on the light.

Where is the film developed?

With a professional film lab here in Australia, then scanned at high resolution. I check every scan and colour correct it by hand to match your digital photographs.

Can we get prints from film?

Yes, and I recommend it. Film scans print beautifully, and your online gallery has a print store. Ask me about archival print boxes and hand-bound albums.